Collecting Dress on and off Campus
The extant objects and ephemera on display illustrate how the dress practices of diverse peoples, places, and cultures were collected and displayed through fashion exhibitions and live showcases during Cornell’s annual Farm and Home Week. Farmer’s Week was founded in 1907 to share the university’s resources and knowledge with the surrounding community. In 1928, Farmer’s Week was renamed Farm and Home Week, and home economists in the recently-formed New York State College of Home Economics were finally acknowledged for their contributions to the program and the new research they shared with the public. The College’s Department of Textiles and Clothing, which was chaired by Professor Beulah Blackmore, contributed to Farm and Home Week in a number of ways, including exhibitions about world dress.
Beulah Blackmore, Professor of Clothing and Textiles, College of Home Economics
Beulah Blackmore arrived at Cornell in 1915 to teach courses in millinery, clothing, and textile design. She started the CF+TC as a study collection and used pieces to illustrate lectures and curate displays. As early as 1919, Blackmore curated an “Exhibit of Foreign Costumes” for Farm Week. Student models wore examples of dress from places like Mexico, Norway, Hungary, and Scotland. Blackmore was able to expand the diversity of the costume collection when she planned a trip around the world in 1936, which she later shared with existing items and other loans during Farm and Home Weeks in the late 1930s. Blackmore worked with other Cornell faculty, staff, and students as well as missionaries on furlough to disseminate the collection within the fashion showcase, “Costumes of Many Lands.” According to the 1938 press release, the showcase was supposed to promote world peace by providing the audience with a greater understanding of the traditions and customs of other peoples. Some of the models were international students modeling clothing from their home countries. However, in other cases, Blackmore attempted to recreate the ethnic identities of those cultures she experienced abroad by having the faces of white-appearing students painted in brown or blackface and encouraging them to dress up in the fashions and identities that differed from that of their own. This ultimately clashed with her intention to respectfully foster respect for the dress practices of diverse peoples.
Choli paired with ghaghra and orhni
Unknown designer, India
CFTC # 261, 163, 166
Gift of Professor Beulah Blackmore
This ensemble, which was collected by Blackmore in 1936, was worn by Dhimatria Tassi '39 for the 1938 performance of “Costumes of Many Lands.” According to Blackmore’s records, this ensemble was supposed to represent those styles worn by women living in Jaipur. Traditionally, Rajasthani women living in Jaipur would pair acholi (bodice) with an orhni (shawl) and a ghaghra (full skirt) rather than a sari. While Rajasthani women typically wore backless cholis tied with a string, the bodice purchased by Blackmore is neither backless nor fully embroidered. In fact, the blouse appears to be made out of printed cotton. As the following images show, Blackmore was more interested in using this ensemble to recreate a particular image of ethnic dress as depicted within postcards sold on the tourist market.
Lee Ong Jung, First-Generation Chinese-American Student in Home Economics
Blackmore’s display practices were both problematic and progressive: she engaged the knowledge and expertise of several international students in the College of Home Economics and created an inclusive environment where they could document dress on their own terms. Lee Ong Jung Smith ’39 was a first-generation Chinese-American student majoring in home economics at Cornell, who helped Blackmore disseminate her collection within the fashion showcase. Jung was born and raised alongside her seven siblings in Rochester, New York. Her father was born in California, while her mother immigrated from China to New York. Jung supervised the dressing and presentation of all “Chinese costumes,” which included both “modern and old-fashioned dresses.” She herself wore the ensemble displayed here that Blackmore purchased in Peiping, China and represented the traditional dress practices of Han women during the Qing dynasty.
Qipao paired with panel skirt
Unknown designer, China
CFTC #193, #215
Gift of Professor Beulah Blackmore
Initially worn by Han women during the Qing dynasty, the qipao is a one-piece floor length dress with side-slits, a round collar, and a curved asymmetrical closure. The qipao was worn with trousers or leggings underneath a panel skirt that wrapped around the body in a similar fashion as that of an apron. This qipao was collected by Blackmore while visiting Peiping, China in 1936 and was worn by Lee Ong Jung ‘39 in the 1938 fashion showcase. In 1945, the qipao was used as a source of inspiration by Jean Allanson ‘45 for a design project in her fashion draping class. The ways in which extant objects were incorporated within design curricula during this period often led students to engage in cultural appropriation and reduce such forms of cultural expression to a mere aesthetic or fashion statement.
Charity Carman, Baptist Missionary enrolled in Cornell’s School for Missionaries
While Blackmore recruited both American and international students to wear the garments she collected abroad, she recognized that, in order to represent the diversity of dress within a single country, she would need to acquire additional pieces. In 1939, she began to work with missionaries on furlough who attended Cornell’s School for Missionaries to collect additional examples of international dress for the collection. Initially, she circulated a call for costumes within the pamphlet for Cornell’s Tenth Annual School for Missionaries. Several students reached out to Blackmore and agreed to loan her objects for the 1939 installment of “Costumes of Many Lands,” including Baptist missionary Charity Carman, who worked at the American Baptist Paku Carman School in Toungoo, Myanmar. Correspondence between Blackmore and Carman revealed the different ensembles Carman loaned for the 1939 showcase, two of which she later donated to the collection and were featured in the 1942 exhibition “Costumes and Crafts from Many Lands” that displayed a range of objects acquired by missionaries from China, India, Korea, and Myanmar.
Coat paired with sarong
Unknown designer, Myanmar
CFTC #315, 317
Gift of Miss Charity Carman
This ensemble was donated to the collection by Miss Charity Carman, a Baptist missionary stationed in Burma (Myanmar). In the 1930s and 1940s, Blackmore relied on missionaries stationed abroad to either loan or donate additional articles of clothing for the different showcases and exhibitions she organized for Farm and Home Week. Blackmore used this particular ensemble to represent the dress practices of different Indigenous communities living in Myanmar for the 1939 installment of “Costumes in Many Lands” and for the 1942 exhibition, “Costumes and Crafts from Many Lands.” This ensemble is attributed to the Lahu people, an ethnic group that spans across China and other Southeast Asian countries. In fact, the flag of this particular ethnic group was used to decorate the borders of the coat, which was identified as a source of inspiration for student work within the collection’s 1973 brochure.
“Contrary to common belief, the Moslem faith encourages the education of women. Home economics is now being taught in only a few high schools and colleges, but is enthusiastically accepted by the majority of Pakistani women. With the increasing demand for home economics, the future looks encouraging.” - Zahida Quarishi '53
Zahida Quraishi, Pakistani Graduate Student in Home Economics
In the late 1940s and early 1950s, international students began to represent their own cultural practices during Farm and Home Week in lectures, demonstrations, and exhibitions. This was largely brought on by the students themselves. According to several reports published by the Student Review Committee, the students suggested that fashion showcases and pageants should be supplemented with "a more personal touch" whereby the audience could better engage with the costumes in exhibitions or between-act displays. In 1952, several graduate students in the College of Home Economics from Pakistan, China, and Iran contributed to a series of lectures entitled, "Family Life in Other Lands," where they discussed the major issues and challenges currently impacting their home countries. The pendant displayed here was donated by Zahida Quraishi ‘53, a graduate student from Karachi, Pakistan who spoke during the event in 1952 and 1953. Quarishi also wrote her dissertation on how curriculum in the United States could be used to address issues concerning family life in Pakistan. In 1958, additional discussion sections were added to this event that concerned family life in the Philippines, Thailand, India, and Iraq. In addition to speaking about family life in their home countries, these women also collaborated with one another to represent and display their fashions in an exhibition on the second floor of Martha Van Rensselaer Hall (MVR).
KhussaUnknown designer, PakistanCFTC #360 Gift of Professor Margaret HutchinsonThese shoes were donated to the collection in 1954 by Professor Margaret Hutchinson, and likely owned by Zahadia Quarishi ’53, who graduated from Cornell with a PhD in Home Economics. Professor Hutchinson was Quarishi’s advisor, so it is likely that they belonged to, or were gifted by Quarishi. The shoes are a particular style commonly worn by men and women living in Northern India and Pakistan. Traditionally, this style of shoe, also known as jutti, was characterized by a leather sole and gold or silver thread embroidery. In Pakistan, this style of shoe is referred to as khussa and can be identified by the upwards curl of the toe.
Pendant
Unknown designer, Pakistan
CFTC #367
Gift of Zahida Quraishi ‘53
This pendant, donated by Zahida Quraishi in 1953, is from Odisha, an eastern Indian state located on the Bay of Bengal. The pendant is similar to those worn during a form of folk balladry known as Daskathia. Daskathia, which is performed by two individuals, combines aspects of music and theater together. While one individual serves as the main performer and vocalist, the other interjects comedic asides to retain the audience's interest. During these performances, the main vocalist wears a costume for the ballad which includes a large pendant, like the one donated by Quraishi.
Ephemera
Sources
Brochure for Cornell Costume and Textiles Collection, 1973. Folder 23, Box 8, Cornell University Department of Textiles and Apparel Records, 1942-2006 #23-19-2807, Cornell Rare and Manuscript Collection, Ithaca, New York.
Dhamija, J. (Ed). (2010). Berg encyclopedia of world dress and fashion: South Asia and Southeast Asia. Bloomsbury Academic.
Marlatt, A. (1931, May). "Foreign Day" at the Practice Cottage. Journal of Home Economics, 23(5), 418-422.
McMurry, E. F. (1975). The Cornell costume collection: Its nature, uses, and needs. New York State College of Human Ecology.
Missionaries model foreign costumes in pageant ending short course term. (1939, February 14). The Cornell Daily Sun, 59(96), 5.
Pamphlet for Tenth Annual School of Missionaries, 1939. The 1939 School, Folder 1, Box 2, Cornell School for Missionary Records 21-34-1476, Cornell Rare and Manuscript Collection, Ithaca, New York.
Press release for “Costumes of Many Lands,” 1938, February 14. Documentation and Review of Ethnic Collection, Folder 29, Box 11, Cornell University Department of Textiles and Apparel Records #23-19-2807, Cornell Rare and Manuscript Collection, Ithaca, New York.
“Student Committee Report and Report of Student Meeting,” March 1, 1938. Farm and Home Week Records, Folder 19, Box 16, New York State College of Home Economics Records #23-2-749, Cornell Rare and Manuscript Collection, Ithaca, New York.
Wu, J. (2009). Reinvented identity: The qipao and tang-style jacket. In Chinese Fashion: From Mao to Now (pp. 103–126). Berg.